Native American Art
1907 — Twenty-fifth Annual Meeting of the Lake Mohonk Conference of Friends of the Indian and other Dependent Peoples, Lake Mohonk, New Paltz NY
The art department of Carlisle has taken a departure from the regular routine work of public schools. We do not study any of the European classics in art. We take the old symbolic figures and forms which we find on beadwork, pottery, and baskets for the basis of our study. We are familiarizing ourselves with the different styles and methods; then we create designs according to these old established methods and apply them to the products of the workshops of the school in such ways as wood-carving, printer’s borders, metal work, wall decoration, weaving and needlework.
There is a general revival throughout the country of the old handicrafts and skilled hands are in demand. Let me tell you that the Indian is an apt pupil for any sort of handicraft.
The basket and textile weavers, pottery and metal workers are already well established. Each of these industries can be expanded in various directions both for utility and ornament. The simple dignity of Indian design lends itself well to ways of conventional art and I think the day has come when the American people must pause and give recognition to another phase of the Indian’s nature which is his art.
Source: Waggoner, Linda M., Fire Light, pp. 194-195.